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Quincy Jones. The cause was complications of a heart attack he had on Nov. 26, said his spokesman, Don Lucoff of DL Media. Hubbard played at the Monterey Jazz Festival in 1980 and in 1989 (with Bobby Hutcherson). Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. [9] In 1994, Hubbard, collaborating with Chicago jazz vocalist/co-writer Catherine Whitney, had lyrics set to the music of First Light. Leonard Feather called him “one of the most skilled, original and forceful trumpeters of the ’60s.”. He also performed at the Warsaw Jazz Festival, at which Live at the Warsaw Jazz Festival (Jazzmen 1992) was recorded. [1] He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His profile rose in 1960 when he joined the roster of Blue Note, a leading jazz label; it rose further the next year when he was hired by Blakey, widely regarded as the music’s premier talent scout. Aries. He was 70 and lived in Sherman Oaks. Four years later he began recording for CTI, a record company that would soon become known for its aggressive efforts to market jazz musicians beyond the confines of the jazz audience. [8] Although his early 1970s jazz albums Red Clay, First Light, Straight Life, and Sky Dive were particularly well received and considered among his best work, the albums he recorded later in the decade were attacked by critics for their commercialism. They sold well, for the most part, but were attacked, or in some cases simply ignored, by jazz critics. Early in his career, while influenced by bop-era trumpeters (including Clifford Brown and Lee Morgan), Hubbard developed a big, commanding tone and a subtle style of inventing melodies that flowed and, alternately, burst into dramatic contrasts. But his career came to a virtual halt in 1992 when he damaged his lip, and although he resumed performing and recording after an extended hiatus, he was never again as powerful a player as he had been in his prime. After his death, Hubbard's estate requested that tax-deductible donations be made in his name to the Jazz Foundation of America.[15]. But in 1992 he suffered a setback from which he never fully recovered. Art Blakey!!!!! Freddie Hubbard Fans Also Viewed . Our editors will review what you’ve submitted and determine whether to revise the article. In a 1995 interview with Fred Shuster of Down Beat, he offered some sober advice to younger musicians: “Don’t make the mistake I made of not taking care of myself. Hubbard achieved his greatest popular success in the 1970s with a series of albums for Creed Taylor and his record label CTI Records, overshadowing Stanley Turrentine, Hubert Laws, and George Benson. Mr. Hubbard nonetheless continued to perform and record sporadically, primarily on fluegelhorn rather than on the more demanding trumpet. Freddie Hubbard, (Frederick Dewayne Hubbard), American jazz musician (born April 7, 1938, Indianapolis, Ind.—died Dec. 29, 2008, Sherman Oaks, Calif.), played bravura trumpet solos with a harmonic-rhythmic flair that made him the most exciting late-bop virtuoso on his instrument. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. Mr. Hubbard won a Grammy Award for the album “First Light” in 1972 and was named a National Endowment for the Arts Jazz Master in 2006. In 1988, Hubbard played with Elton John, contributing trumpet and flugelhorn and trumpet solos on the track "Mona Lisas and Mad Hatters (Part Two)" for John's Reg Strikes Back album. Impulse!!!!! Over a career that began in the late 1950s, Mr. Hubbard earned both critical praise and commercial success — although rarely for the same projects. He played with Woody Shaw, recording with him in 1985, and two years later recorded Stardust with Benny Golson. A Midnight Session with the Jazz Messengers, At the Jazz Corner of the World, Vols. Let us know if you have suggestions to improve this article (requires login). Thank God for those people. Corrections? ... Hubbard is survived by his wife, Briggie, and son, Duane. [14], Freddie Hubbard had close ties to the Jazz Foundation of America in his later years. Freddie Hubbard, Jazz Trumpeter, Dies at 70. In later years he played the less-demanding flugelhorn, rather than the trumpet, accompanied by the New Jazz Composers Octet. In his last years he worked mostly with the trumpeter David Weiss, who featured Mr. Hubbard as a guest artist with his group, the New Jazz Composers Octet, on albums released under Mr. Hubbard’s name in 2001 and 2008, and at occasional nightclub engagements. Davis grew up in East St. Louis, Illinois, where his father was a prosperous dental surgeon. Most of his recordings as a leader from the early 1980s on, for Pablo, Musicmasters and other labels, were small-group sessions emphasizing his gifts as an improviser that helped restore his critical reputation. Adding his own spin to a style informed by Dizzy Gillespie, Miles Davis and Clifford Brown, Mr. Hubbard played trumpet with an unusual mix of melodic inventiveness and technical razzle-dazzle. Several live recordings of this group were released as V.S.O.P, V.S.O.P. Freddie Hubbard/Stanley Turrentine in Concert Volume One, At Jazz Jamboree Warszawa '91: A Tribute to Miles, A Jazz Hour with Art Blakey's Jazz Messengers: Blues March, The Trumpet Summit Meets the Oscar Peterson Big 4, MJQ & Friends: A 40th Anniversary Celebration, "First Light – Freddie Hubbard | Songs, Reviews, Credits, Awards", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", "Freddie Hubbard, jazz trumpeter, dies at 70", "Studiolive – Freddie Hubbard | Songs, Reviews, Credits, Awards", "Live at the Village Vanguard – Freddie Hubbard | Songs, Reviews, Credits, Awards", "All Blues [DVD] – Freddie Hubbard | Songs, Reviews, Credits, Awards", Howard Mandel, "Jazz Trumpeter Freddie Hubbard Dies", Art Blakey's Jazz Messengers with Thelonious Monk. Although Armstrong claimed to be born in 1900, various documents, notably a baptismal record, indicate that 1901 was his birth year. He was born in Indianapolis and mentored by his neighbor, guitarist Wes Montgomery. Throughout the 1960s Hubbard played as a sideman on some of the most important albums from that era, including Oliver Nelson's The Blues and the Abstract Truth, Eric Dolphy's Out to Lunch!, Herbie Hancock's Maiden Voyage, and Wayne Shorter's Speak No Evil. Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Ken Burns: …on scores with jazz musician Wynton Marsalis. He grew up in dire poverty in New Orleans, Louisiana, when jazz was…. Sortable table with main artist alphabetically as primal order. And although he was not an avant-gardist by temperament, he participated in three of the seminal recordings of the 1960s jazz avant-garde: Ornette Coleman’s “Free Jazz” (1960), Eric Dolphy’s “Out to Lunch” (1964) and John Coltrane’s “Ascension” (1965). He played on several Blakey recordings, including Caravan, Ugetsu, Mosaic, and Free for All. This article was most recently revised and updated by,, All About Jazz - Biography of Freddie Hubbard. Gwynne was born on July 10, 1926, in New York City, the son of Frederick Walker Gwynne, a partner in the securities firm Gwynne Brothers, and his wife Dorothy Ficken Gwynne. This group recorded for Atlantic. [10], In 1977 Hubbard joined with Herbie Hancock, Tony Williams, Ron Carter and Wayne Shorter, members of the mid-sixties Miles Davis Quintet, for a series of performances. Freddie Hubbard, widely regarded as the most gifted jazz trumpeter of the post-bebop ‘60s and ‘70s, died Monday at Sherman Oaks Hospital in Los Angeles. Omissions? Freddie Hubbard was one of the most powerful and lyrical horn players of the past 50 years. Within a few years Mr. Hubbard was expressing regrets about his career path. [6] Hubbard was described as "the most brilliant trumpeter of a generation of musicians who stand with one foot in 'tonal' jazz and the other in the atonal camp". Edward Tarr. In all, during the 1960s, he recorded eight studio albums as a bandleader for Blue Note, and more than two dozen as a sideman. After leaving Blakey’s band in 1964, Mr. Hubbard worked for a while with another drummer-bandleader, Max Roach, before forming his own group in 1966. Given Name: Frederick Dewayne Hubbard Age: 82 (4/7/1938) Occupation: Music - Musician Most Famous For: for playing in the bebop, hard … An "unfaded" version was released on the 2004 Billy Joel box set My Lives. [4] Hubbard remained with Blakey until 1966, leaving to form the first of several small groups of his own, which featured, among others, his Blue note associate James Spaulding, pianist Kenny Barron and drummer Louis Hayes. He is survived by his wife of 35 years, Briggie Hubbard, and his son, Duane. Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. and on sound tracks for films, including Blowup. The Quintet, V.S.O.P. The track ends with a fade during Hubbard's performance. His first instrument was the alto-brass mellophone, and in high school he studied French horn and tuba as well as trumpet. Please, keep your chops cool and don’t overblow.”, Freddie Hubbard, Jazz Trumpeter, Dies at 70. In the 1970s Mr. Hubbard, like many other jazz musicians of his generation, began courting a larger audience, with albums that featured electric instruments, rock and funk rhythms, string arrangements and repertory sprinkled with pop and R&B songs like Paul McCartney’s “Uncle Albert/Admiral Halsey” and the Stylistics’ “Betcha by Golly, Wow.” His audience did indeed grow, but his standing in the jazz world diminished. First Name Freddie.


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